digital emunction | a multiauthor blog founded and edited by robert p. baird

Here Comes Everybody

As part of my redesign of dig­i­tal emu­nc­tion, I decided to invite some friends to con­tribute to the blog. They’re all good and inter­est­ing writ­ers and people, and I’m very excited to have them here.

They’ll be arriv­ing piece­meal in the days and weeks to come, but I’m happy to announce that Joel Cala­han has already reported for duty. His first post is on its way…

Under Construction

I’m making a few changes around here, hope­fully for the better. It’ll take a few days to get every­thing fixed up, but if in the interim you find some­thing that’s not work­ing (which is likely) please don’t hes­i­tate to let me know. Thanks!

Kent Johnson’s Homage to the Last Avant-Garde

I recently received in the mail a copy of Kent Johnson’s newish book from Shears­man, Homage to the Last Avant-​Garde. It’s some­thing of a selected poems in minia­ture, col­lect­ing work from other books like Epi­gram­mi­ti­tis and I Once Met, as well as one poem, “Into the Heat-​Forged Air,” which first appeared in the last issue of Chicago Review.

Anyone who knows Kent at all will rec­og­nize that the advice he offers his son Brooks in “Sentimental Piscatorial”—”stay low, walk slow, / and lay the fly right along the veloc­ity // changes”—is not advice that he seems ever to have much trou­bled him­self with, a fact the world is richer for. His poems are full of prose, indi­rec­tion, and fun, and his jaunty mock eru­di­tion (like the appear­ance of Roberto Bolaño’s vis­ceral real­ists in a foot­note to “A God”) is pos­si­ble only because he’s got more than enough of the real thing.

I like Kent’s work because he refuses to hide the ambi­tion and earnesty that drive him, but what sets him apart from his peers is that he also does not mask the embar­rass­ment and self-​recrimination that those twin qual­i­ties inevitably inspire. This alone makes the book worthy of rec­om­men­da­tion, and it’s just barely enough to for­give the fact that dig­i­tal emu­nc­tion didn’t make it into “Poetry Blogs (of the Fourth Gen­er­a­tion) in Zürich.”

If you’re still not con­vinced, read Linh Dinh’s take on the book here and then buy it here.

Peter Sagal Speaks for All of Us

The host of “Wait, Wait, Don’t Tell Me” knocks some sense:

Real­iz­ing I have to get over my Palinmania.

(Via Twitter.)

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