Peter O’Leary and Harriet at the Poetry Foundation
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I’ll be frank: I got interested in the Poetry Foundation’s Harriet blog right around the time that Harriet got interested in Chicago Review, but since then it’s become clear that the blog is the happiest new product to come out of the infamous Lilly millions.
Harriet is basically an Op-Ed page for poetry, with all the attendant charms and frustrations of that institution, including bizarre pronouncements (Major Jackson’s New Athenians Manifesto, Christian Bök’s plan to spawn a literal poetry plague), autocathartic provocations (A.E. Stallings’s brief for New Formalism, Bök’s challenge to the enemy of his genius), and year-end lists (e.g. by Major Jackson and the PoFound staff).
What makes Harriet’s success so intriguing is that despite important precursors like the back pages of Sulfur and Silliman’s blog, it was never obvious that poets needed their own Op-Ed page—private letters and public reviews seemed to cover the field. And yet Harriet seems to be working. Just check those comment boxes: there’s Ben Friedlander, Joshua Clover, and many others weighing in weekly.
Harriet has fast become the most interesting thing at the Poetry Foundation website, but you shouldn’t let that stop you from checking out two articles by Peter O’Leary that they’ve now posted elsewhere on the site. The first is a review of W.S. DiPiero that appeared in the November Poetry. The second is an essay on Robert Duncan’s poem, “Often I am Permitted to Return to a Meadow.” Also, today on Harriet Michael Marcinkowski named Peter’s Depth Theology as his pick for 2007. It’s a great choice: check it out.

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