Two Views: On the Consolations of Poetry
1/ From Don Share’s post at Harriet, the Poetry Foundation’s blog, referring to an article by Richard Rorty that appears in the new issue of Poetry:
Rorty knew he was dying from pancreatic cancer at the time he was working on the piece. When asked by his son whether the reading or writing of philosophy gave him any comfort, he said, surprisingly… no: “neither the philosophy I had written nor that which I had read seemed to have any particular bearing on my situation.” “Hasn’t anything you’ve read been of any use?” his son persisted. “Yes,” Rorty reports blurting out, “poetry.” He explained:
“I now wish that I had spent somewhat more of my life with verse. This is not because I fear having missed out on truths that are incapable of statement in prose. There are no such truths; there is nothing about death that Swinburne and Landor knew but Epicurus and Heidegger failed to grasp. Rather, it is because I would have lived more fully if I had been able to rattle off more old chestnuts — just as I would have if I had made more close friends. Cultures with richer vocabularies are more fully human — farther removed from the beasts — than those with poorer ones; individual men and women are more fully human when their memories are amply stocked with verses.”
2/ From Plato’s Phaedo:
Cebes: [Evenus] wanted to know why you who never before wrote a line of poetry, now that you are in prison are putting Aesop into verse, and also composing that hymn to Apollo.
Tell him, Cebes, [Socrates] replied, that I had no idea of rivalling him or his poems; which is the truth, for I knew that I could not do that. But I wanted to see whether I could purge away a scruple which I felt about certain dreams. In the course of my life I have often had intimations in dreams “that I should make music.” That same dream came to me sometimes in one form, and sometimes in another, but always saying the same or nearly the same words: Make and cultivate music, said the dream. And hitherto I had imagined that this was only intended to exhort and encourage me in the study of philosophy, which has always been the pursuit of my life, and is the noblest and best of music. The dream was bidding me to do what I was already doing, in the same way that the competitor in a race is bidden by the spectators to run when he is already running. But I was not certain of this, as the dream might have meant music in the popular sense of the word, and being under sentence of death…I thought that I should be safer if I satisfied the scruple, and, in obedience to the dream, composed a few verses before I departed.

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