Michael Robbins
The predictably yawn-inducing results (by which I mean I predicted the top six in my sleep—check my dream journal if you don’t believe me—& the reason I was asleep is that I had been listening to the top six) are in for the 37th (or, I insist, 38th) Village Voice Pazz & Jop music poll. Here’s my ballot:
Albums
|
| 1 |
Sonic Youth, The Eternal |
Points: 15 |
| 2 |
Mastodon, Crack the Skye |
Points: 15 |
| 3 |
Brad Paisley, American Saturday Night |
Points: 10 |
| 4 |
Raekwon, Only Built for Cuban Linx, pt. 2 |
Points: 10 |
| 5 |
Baroness, Blue Record |
Points: 10 |
| 6 |
The-Dream, Love vs. Money |
Points: 10 |
| 7 |
Converge, Axe to Fall |
Points: 10 |
| 8 |
Fever Ray, Fever Ray |
Points: 10 |
| 9 |
Deer Tick, Born on Flag Day |
Points: 5 |
| 10 |
Grizzly Collective, Veckatimest Post Pavilion |
Points: 5 |
Singles
|
| 1 |
Taylor Swift, “Love Story” |
| 2 |
Girls, “Lust for Life” |
| 3 |
DJ Quik & Kurupt, “9x outta 10″ |
| 4 |
Maxwell, “Pretty Wings” |
| 5 |
Lady GaGa, “Just Dance” |
| 6 |
Shuttle, “Tunnel [High Rankin Remix]“ |
| 7 |
Neko Case, “People Got a Lotta Nerve” |
| 8 |
Mew, “Beach” |
| 9 |
Kelly Clarkson, “I Do Not Hook Up” |
| 10 |
Modest Mouse, “Satellite Skin” |
And some of my comments here (note that I provide the tag line). As usual, this list doesn’t reflect my current thinking about
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Michael Robbins
The first CD I bought was Butthole Surfers’ Locust Abortion Technician. I was 15, 16, conceding to the marketplace despite my suspicion that the compact disc was, in Steve Albini’s semi-prescient phrase, the rich man’s eight track tape. Many of the first CDs I bought were, of course, transfers into the new format from back catalogs of bands I liked. Over the years, I—& probably you, too—have bought the same albums several times over, becoming something of a connoisseur of the usually infinitesimal differences among various remasters. The second remaster of Sticky Fingers, for example, cuts off Mick Taylor’s solo at the end of “Sway” just a half-second before it actually fades out on the record. Only a crazy person would buy each new edition of a novel. But I appear to be exactly as stupid as the record companies hope I am. (At least until recently: these days most of my music takes the form of gifts from the internet.)
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Michael Robbins
Imagine a popular record-review website publishing a list of what its contributors believe to be the 500 best songs of what they believe to be the first decade of the twenty-first century (2000-2009, although the decade actually began in 2001 & will be finished at the end of 2010, but never mind)—without including a single country song (that Loretta Lynn/Jack White thing doesn’t count). Silly, right? Well, it was just a thought experiment. No one who writes about popular music could really be that parochial, that insular, that oblivious to the “popular” in “pop.”
But it got me thinking about what my own list of the best songs of, um, 2000-2009 might look like (the twenty-one best songs, mind you, because I don’t have all day, & twenty wasn’t enough). After compiling it, I was delighted to realize that it is not just one music votary’s subjective impressions of the last ten years, but an objectively definitive list of their twenty-one best songs.
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Robert P. Baird
1/ Donald Barthelme, “For I’m the Boy” (1964):
The bottle was old and dirty but the brandy when Huber returned with it was tasty in the extreme.
2/ Grateful Dead, “Brown-Eyed Women” (1971):
The bottle was dusty but the liquor was clean.