digital emunction | a multiauthor blog founded and edited by robert p. baird

Petal & Mop

The pre­dictably yawn-​inducing results (by which I mean I pre­dicted the top six in my sleep—check my dream jour­nal if you don’t believe me—& the reason I was asleep is that I had been lis­ten­ing to the top six) are in for the 37th (or, I insist, 38th) Vil­lage Voice Pazz & Jop music poll. Here’s my ballot:

Albums

1 Sonic Youth, The Eter­nal Points: 15
2 Mastodon, Crack the Skye Points: 15
3 Brad Pais­ley, Amer­i­can Sat­ur­day Night Points: 10
4 Raek­won, Only Built for Cuban Linx, pt. 2 Points: 10
5 Baroness, Blue Record Points: 10
6 The-​Dream, Love vs. Money Points: 10
7 Con­verge, Axe to Fall Points: 10
8 Fever Ray, Fever Ray Points: 10
9 Deer Tick, Born on Flag Day Points: 5
10 Griz­zly Col­lec­tive, Veck­a­timest Post Pavil­ion Points: 5

Singles

1 Taylor Swift, “Love Story”
2 Girls, “Lust for Life”
3 DJ Quik & Kurupt, “9x outta 10″
4 Maxwell, “Pretty Wings”
5 Lady GaGa, “Just Dance”
6 Shut­tle, “Tunnel [High Rankin Remix]“
7 Neko Case, “People Got a Lotta Nerve”
8 Mew, “Beach”
9 Kelly Clark­son, “I Do Not Hook Up”
10 Modest Mouse, “Satellite Skin”

And some of my com­ments here (note that I pro­vide the tag line). As usual, this list doesn’t reflect my cur­rent think­ing about

Pop Top: You Don’t Sound Different

The first CD I bought was But­t­hole Surfers’ Locust Abor­tion Tech­ni­cian. I was 15, 16, con­ced­ing to the mar­ket­place despite my sus­pi­cion that the com­pact disc was, in Steve Albini’s semi-​prescient phrase, the rich man’s eight track tape. Many of the first CDs I bought were, of course, trans­fers into the new format from back cat­a­logs of bands I liked. Over the years, I—& prob­a­bly you, too—have bought the same albums sev­eral times over, becom­ing some­thing of a con­nois­seur of the usu­ally infin­i­tes­i­mal dif­fer­ences among var­i­ous remas­ters. The second remas­ter of Sticky Fin­gers, for exam­ple, cuts off Mick Taylor’s solo at the end of “Sway” just a half-​second before it actu­ally fades out on the record. Only a crazy person would buy each new edi­tion of a novel. But I appear to be exactly as stupid as the record com­pa­nies hope I am. (At least until recently: these days most of my music takes the form of gifts from the inter­net.)

Pop Top

Imagine a pop­u­lar record-​review web­site pub­lish­ing a list of what its con­trib­u­tors believe to be the 500 best songs of what they believe to be the first decade of the twenty-​first cen­tury (2000-2009, although the decade actu­ally began in 2001 & will be fin­ished at the end of 2010, but never mind)—without includ­ing a single coun­try song (that Loretta Lynn/Jack White thing doesn’t count). Silly, right? Well, it was just a thought exper­i­ment. No one who writes about pop­u­lar music could really be that parochial, that insu­lar, that obliv­i­ous to the “popular” in “pop.”

But it got me think­ing about what my own list of the best songs of, um, 2000-2009 might look like (the twenty-​one best songs, mind you, because I don’t have all day, & twenty wasn’t enough). After com­pil­ing it, I was delighted to real­ize that it is not just one music votary’s sub­jec­tive impres­sions of the last ten years, but an objec­tively defin­i­tive list of their twenty-​one best songs.

Two Views: On the Bottle And Its Contents

1/ Donald Barthelme, “For I’m the Boy” (1964):

The bottle was old and dirty but the brandy when Huber returned with it was tasty in the extreme.

2/ Grate­ful Dead, “Brown-Eyed Women” (1971):

The bottle was dusty but the liquor was clean.

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