Marjorie Perloff, Missing the Point
It’s kind of remarkable to hear the person who was—and maybe still is—the foremost critical advocate of the American poetic avant-garde appeal to taste, and not the de gustibus kind, in her recent attempt [PDF] to take down Frederick Seidel:
[T]his poet is also given to…responding to the radio news of an American being beheaded in the Congo with the words “The downpour drumming on my taxi gets the Hutu in me dancing,” and soon he is imagining himself “on all fours eating grass / So I can throw up because I like the feeling. / I crouch over a carcass and practice my eating.” Is this a daring revelation of one’s inner demons? I suppose so, but when we note that the poet who has these fleeting thoughts is comfortably inside his taxi, most often on the Upper East Side where he lives so well, the admission seems merely tasteless.
I’m pretty certain I can understand why some people don’t like Seidel’s work, and I can certainly understand why one would want to would resist the hyperbolic encomia that have come his way. What I cannot understand is how a critic of Perloff’s evident ability can pretend that the poet’s being “comfortably inside his taxi” is a bug and not a feature of the poem.
