Robert P. Baird
Ads Without Products, taking on the advocates of militant dysphoria—by some definitions, “the politics of disaffection,” by Ads’, “adolescent insanity”—draws a useful line in the sand and follows up with a comment that self-consciously political poetmongers in this country would do well to study:
Far too often, the form that “political” work in the humanities took was as follows: reassemble theoretical machine in your apartment. Force literary (or other) texts through machine. Scrape up what comes out the other end—generally a fairly bleak picture of our world and our prospects. Strain and mould into monograph. Just before baking, add a few vague, handwaving gestures about practice – gestures generally way out of sync in either their modestness or their hubristic magical thinking with the bleakness of the portrait you’ve just painted. Finally, bake in the glow of your self-admiration – for now you are a servant of revolution, you have changed the world with your book on, say, racial politics in the 19th century novel.
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Robert P. Baird

From The Daily Mail (via Yves Smith):
Here, on a sleepy stretch of shoreline at the far end of Asia, is surely the biggest and most secretive gathering of ships in maritime history. Their numbers are equivalent to the entire British and American navies combined; their tonnage is far greater. Container ships, bulk carriers, oil tankers - all should be steaming fully laden between China, Britain, Europe and the US, stocking camera shops, PC Worlds and Argos depots ahead of the retail pandemonium of 2009. But their water has been stolen.
They are a powerful and tangible representation of the hurricanes that have been wrought by the global economic crisis; an iron curtain drawn along the coastline of the southern edge of Malaysia’s rural Johor state, 50 miles east of Singapore harbour.
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Robert P. Baird
A recent exchange in the comments over at Ads Without Products offers an interesting suggestion for closing the Roberto Bolaño-Roberto Bazlen-Robert Musil loop that John Latta started and I continued. (Advance apologies if cribbing comments like this is poor form):
Scott Eric Kaufman:
I’ve got to say, I’m thinking the way a person reacts to Bolaño’s directly tied to their feelings about Musil…
CR:
Yes! I’ve never been able to get past, you know, the first several thousand pages of Musil - you must be right!…
SEK:
Less cryptically, Bolaño’s novels seem to have that (admittedly contradictory) quality of being both a page-turner and occasional. I’m not compelled to read them, but when I do, I can’t put them down. Musil was the same way—his pale shadow, Kundera, not so much—but this seems to exclude Musil and Bolaño both from the modernist category into which they’re so often shoved….
And yet as soon as I offer the suggestion, I feel myself wanting to draw it back.
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