digital emunction | a multiauthor blog founded and edited by robert p. baird

Is the Yak Smeared with the Juice of Cherries?

Update: Now with 100% more self-​promotional links!

Our own Michael Rob­bins has two reviews out this week:  a wickedly hilar­i­ous take­down of Robert Hass’s selected poems in the new issue of Poetry mag­a­zine, & a less wickedly hilar­i­ous appraisal of John Ashbery’s latest in the London Review of Books (sub­scriber only, but per­haps a copy could be pro­vided backchan­nel), which con­tains the first cita­tion of our own Oren Izenberg’s forth­com­ing Being Numer­ous. Please check ‘em out.

Advertisements for Myself: American Idol at Narrative

The fall issue of Nar­ra­tive Mag­a­zine includes a pair of excerpts from Amer­i­can Idol, the novel I’ve been writ­ing in fits and starts during this long slow slog through grad­u­ate school. The novel tells the story of an Amer­i­can anthro­pol­o­gist who lives South Amer­ica and stud­ies Amer­i­can Chris­t­ian mis­sion­ar­ies, though the latter don’t appear in either excerpt here. I was espe­cially pleased and grate­ful to see that on their front page the good folks at Nar­ra­tive had nudged my mug up next to my friend and mentor Annie Dil­lard, whose stun­ning Pil­grim at Tinker Creek is excerpted in the issue as well. Anyway, check it out…

The Limits to Capital

Just wanted to post, belat­edly, a link to Ms. Dark’s excel­lent inter­view with Gopal Bal­akr­ish­nan in Lana Turner, since I have of late found myself non­plussed by the skep­ti­cism with which what seems an utterly uncon­tro­ver­sial, even triv­ial, claim is too often met—that cap­i­tal­ism will come to an end.

The fail­ure of this phase of cap­i­tal­ism, pre­sag­ing maybe wider prob­lems and fail­ures of cap­i­tal­ism, is that end [of his­tory], again, posing the ques­tion what it means for some­thing to come to an end. Cap­i­tal­ism, one is fairly sure, will not come to an end in the same way the Roman Empire did or Feu­dal­ism did or even the Soviet Union did. So we should be able to track the vec­tors of a declin­ing system in ways that allow us to grasp the speci­ficity of our own sit­u­a­tion, to gauge, as it were, the var­i­ous levels and dimen­sions at which a system can be con­tin­u­ing for­ward and then other levels at which it might be flat-​lining. And so I think we’ll have very com­plex prob­lems of both thought and polit­i­cal prac­tice in this coming period.

But I would encour­age every­body not to think about the his­tor­i­cal prob­lem of the future of our way of life: cap­i­tal­ism. Is it long for the world? How much longer? What might we do both to improve con­di­tions in the here and now and to think about alter­na­tives to it. Every­thing, as we know, all modes of social life, even­tu­ally come to an end and I think we’ve been a bit too accus­tomed in this period that we’re just coming out of to think that that truth, while cer­tainly true of every­thing that came before, might not be true of us. And if it were true of us, it might some­how be the case it would only matter in the very long term. And I think we might increas­ingly be con­fronted with evi­dence that that is not the case.

Robert D. Richardson at The Second Pass

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This week Har­vard Uni­ver­sity Press is pub­lish­ing The Heart of William James, a selec­tion of essays edited by my friend Bob Richard­son. Bob is the author of a tril­ogy of tremen­dous biographies—on Thoreau, Emer­son, and James—and to cel­e­brate the pub­li­ca­tion of this new book he’s got a guest post up at The Second Pass today on James’s “war against war.” Here’s a bit from the start:

By 1910, James was against war itself. His notion of a “war against war,” as he puts it, had been build­ing for at least a decade. His posi­tion, unusual still today among peace advo­cates, rec­og­nizes that war is a deeply attrac­tive thing for many of us, and that we do not in fact want peace—at least not entirely. He wrote before D.H. Lawrence observed that “the essen­tial Amer­i­can is hard, iso­late, stoic, and a killer.” And long before Simone Weil’s “The Iliad, or, the Poem of Force,” James noted that “the Iliad is one long recital of how Diomedes, and Ajax, Sarpe­don and Hector killed.” It is the great­est strength of James’ argu­ment that he seri­ously rec­og­nizes the grip war has on us and will con­tinue to have. Rather than say we all love peace, let’s not fight, James instead tries to har­ness the war-​spirit and turn it against itself. We will have to kill war.

While you’re over there, be sure to check out the rest of TSP’s William James week. Good stuff.


Announcing depress & Poems and Fake Book Reviews

I’m thrilled to announce that depress, the print deploy­ment of dig­i­tal emu­nc­tion, is launch­ing today with the pub­li­ca­tion of Joshua Baldwin’s Poems and Fake Book Reviews. Josh’s fake book reviews have long been one of my favorite fea­tures of…

Real Taste

I don’t talk about it much, but I spent part of my child­hood in the care­less & tacky con­di­tion of the very poor. Small town Col­orado was where I learned what an evic­tion notice is, what food stamps could &…

Storming Trinity Hall from Chicago

A port­fo­lio of recent trans­la­tions of mine from the Ital­ian is fea­tured in the spe­cial Trans­la­tion issue of Cam­bridge Lit­er­ary Review.

The selec­tion is titled “Four Gen­ovese Poets,” and con­tains an excerpt from Labor­in­tus by Edoardo San­guineti, the…