Robert P. Baird
From K.K.Ruthven’s Ezra Pound as Literary Critic:
What were really needed to launch A Lume Spento properly were ghosted reviews: “I shall write a few myself,” he told his mother, perhaps recalling that Walt Whitman had written favorable reviews of his own Leaves of Grass, “and get someone to sign ‘em.” One such review is quoted by T.S. Eliot in a promotional pamphlet he wrote at Pound’s request and published anonymously…to boost the American sales of Lustra in 1917. The review is attributed to the London Evening Standard…. Pound calculated that if he could place such “genuine and faked reviews” in London and New York newspapers then “Scribner or somebody [could] be brought to see the sense of making a reprint.” Nobody did, but that hardly matters: for what is revealed in the first and unsuccessful attempt to market a literary commodity of his own is his conviction that literary texts make their way in the world not by some supposedly intrinsic merit as literature but by claims made on their behalf by criticism.
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Joshua Adams

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CHICAGO REVIEW is pleased to announce the publication of issue 55:1: SEVEN POETS FROM BERLIN, edited and introduced by Christian Hawkey.
Featuring:
POEMS by Daniel Falb, Monika Rinck, Hendrik Jackson, Uljana Wolf, Steffen Popp, Sabine Scho, and Ron Winkler
&
TRANSLATIONS by Christian Hawkey, Nicholas Grindell, Nicholas Perrin, Catherine Hales, Susan Bernofsky, J.D. Schneider and Andrea Scott
as well as:
FICTION by Jorge Edwards and Deb Olin Unferth
an INTERVIEW with Jorge Edwards
ESSAYS by Jeffrey Yang and J.H. Prynne
plus REVIEWS and NOTES!
To order or subscribe, visit:
http://humanities.uchicago.edu/review
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(our cover is courtesy of Andreas Töpfer)
Robert P. Baird

The original plan was to call the book La Fraisne (“The Ash Tree”) after the title of the first poem, and dedicate it to H.D. Shortly before Pound sent the book to his Venetian printer, however, he learned that his friend William Brooke Smith had died of tuberculosis. This was 1908; Pound and Smith had met seven years earlier when the former was a freshman at Penn. It was Smith who first gave Pound a book of Oscar Wilde’s (Salomé), and Smith whom Pound would lament to WCW some thirteen years later, “I haven’t replaced him and shan’t and no longer hope to.” The news of Smith’s death demanded a change: now the book would be dedicated to Pound’s “caritate primus” and titled A Lume Spento.
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