digital emunction | a multiauthor blog founded and edited by robert p. baird

Dear Poets

Ads With­out Prod­ucts, taking on the advo­cates of mil­i­tant dysphoria—by some def­i­n­i­tions, “the pol­i­tics of disaffection,” by Ads’, “adolescent insanity”—draws a useful line in the sand and fol­lows up with a com­ment that self-​consciously polit­i­cal poet­mon­gers in this coun­try would do well to study:

Far too often, the form that “polit­i­cal” work in the human­i­ties took was as fol­lows: reassem­ble the­o­ret­i­cal machine in your apart­ment. Force lit­er­ary (or other) texts through machine. Scrape up what comes out the other end—generally a fairly bleak pic­ture of our world and our prospects. Strain and mould into mono­graph. Just before baking, add a few vague, hand­wav­ing ges­tures about prac­tice – ges­tures gen­er­ally way out of sync in either their mod­est­ness or their hubris­tic mag­i­cal think­ing with the bleak­ness of the por­trait you’ve just painted. Finally, bake in the glow of your self-​admiration – for now you are a ser­vant of rev­o­lu­tion, you have changed the world with your book on, say, racial pol­i­tics in the 19th cen­tury novel.

Then all of a sudden, capital-T theory failed. And then one day I was read­ing an essay about Conrad and impe­ri­al­ism, and noticed some­thing. What the author was dis­cussing was mod­er­ately valu­able, inter­est­ing even. But the rotely grandil­o­quent claims at the front of the paper seemed to imply that she was in fact, in writ­ing and pub­lish­ing this paper, doing some­thing about impe­ri­al­ism, racism, and gender imbal­ance. She gave a sense (and it’s not really her fault – this is just what one did or does in papers like these – it’s a sort of boil­er­plate that you insert at the front and the back) that a few more papers like this, and, well, we could expect a major improve­ment in the state of affairs whose back­story she was tracing.

All of a sudden, this seemed crim­i­nally unten­able to me. It did because it is.

14 Responses

  1. Michael Robbins

    That seems like the usual clichéd car­i­ca­ture of aca­d­e­mic left­ism. Has there ever really been such a paper, which gives such a “sense”? And is it really “what one did or does in papers like these”? Have you ever read such a paper? Exam­ples?

    (Also: Ads’s?)

  2. I’ve writ­ten that paper a couple of times.

  3. Ads

    Michael,

    Oh, I hope not. I’d have no inter­est in writ­ing such a thing. The idea is to make things matter - I have no inter­est at all in oppos­ing aca­d­e­mic left­ism as such. If you’re inter­ested, go read the whole post. I think you’ll get a better sense of what I’m up to.

    I’d really rather not get into exam­ples - I’ve prob­a­bly made enough ene­mies for myself in the past few days. Trust me - you’ve read some of this stuff or even lots.

    Archam­beau,

    So have we all. The back­story of this - or maybe even the front story - is that I’m work­ing on a book that began as my PhD dis­ser­ta­tion. It’s not quite guilty of this thing that I describe, but nei­ther does it fulfil the aims that I’m describ­ing in the piece. I think the next thing I do, which is already under­way, is a lot closer. But the fact that I’ve moved on while this book that still needs to be pub­lished (for job keep­ing rea­sons, natch) remains under revi­sion has caused me no end of prob­lems, angst, dis­in­ter­est, and the like.

    Thanks for link­ing RB!

  4. From Helen Tiffen, “Post-colonial Lit­er­a­tures and Counter-discourse”:

    Under­stand­ably, then, it has become the project of post-​colonial lit­er­a­tures to inves­ti­gate the Euro­pean tex­tual cap­ture and con­tain­ment of colo­nial and post-​colonial space and to inter­vene in that orig­i­nary and con­tin­u­ing con­tain­ment. In his study of nine­teenth cen­tury France, Richard Ter­di­man saw what he calls ‘textual revolution’ as partly con­di­tional on the ‘blockage of energy directed to struc­tural change of the social formation.’ But he goes on to note that even so, ‘Literary rev­o­lu­tion is not rev­o­lu­tion by homol­ogy, but by intended function.’ Lit­er­ary rev­o­lu­tion in post-​colonial works has been an intrin­sic com­po­nent of social ‘disidentification’ from the outset. Achebe’s essay ‘The Nov­el­ist as Teacher’ stresses the cru­cial func­tion of texts in post-​colonial social for­ma­tions and their pri­macy in effect­ing rev­o­lu­tion and resti­tu­tion, pri­or­i­ties which are not sur­pris­ing given the role of the text in Euro­pean cap­ture and coloni­sa­tion of Africa. Post-​colonial counter-​discursive strate­gies involve a map­ping of the dom­i­nant dis­course, a read­ing and expos­ing of its under­ly­ing assump­tions, and the dis/mantling of these assump­tions from the cross-​cultural stand­point of the impe­ri­ally sub­jec­ti­fied ‘local.’ Wide Sar­gasso Sea directly con­tests British sovreignty [sic]–over person, place, cul­ture, language.

    Adden­dum: I was going to take it for self-​evident that while this para­graph is explic­itly talk­ing about post-​colonial lit­er­a­tures, it’s also implic­itly talk­ing about itself and other papers like it. But then I remem­bered that noth­ing is self-​evident on the inter­net, and so here I am again to explain.

  5. Also: I hate apos­tro­phes, but you all knew that.

  6. Ads

    I seri­ously am not going to say the paper that I had specif­i­cally in mind (in part, because one day I might want a job at said place, and I’m less pseudo by the day) but it was some­thing just. like. that.

  7. Michael Robbins

    Well, I was going to point out that that para­graph is not talk­ing about itself, but if it’s self-​evident, I’ll leave it alone.

  8. I dunno, Bobby. I don’t think you should have backed down so easily. I think because Ads is a proper name, adding “s” to the end fol­lows CMS just fine.

  9. Michael Robbins

    Ads is whose name? For plural nouns, even if they serve as col­lec­tive proper nouns (like the Rolling Stones), CMS is clear: apos­tro­phe only. Now if some dude is called “Ads,” that’s another story; but the author post­ing as Ads is clearly post­ing as “Ads with­out Products,” like when Keith Richards posted in Kent’s Flarf review thread as “Stones,” or when the CEO of Hard­ees signed his com­ment in my meat thread “Hardees.” (I also know this because I once got into an argu­ment about it with some­one who said the same thing as Joel above, so I wrote directly to the edi­tors of CMS, who backed me up. I don’t care if you make fun of me.)

  10. @Ads: sure thing, but next time you choose a pseudo, I’m going to have to beg you to pick a sin­gu­lar noun.

  11. Michael Robbins

    Like Post-​colonial Counter-​discursive Strat­egy.

  12. Eric

    I think of Hall’s essay “Poetry and Ambition” and all those cheers that went up for it.

    Never got in to T myself but was oft envi­ous of the energy and sense of pur­pose among those kids — the bright eyes and enthu­si­asm of the newly con­verted. Poets seemed lan­guid by com­par­i­son.

    Now, I’ve been made to under­stand the ambi­tious­ness in so much T has reached pro­por­tions of self-​parody. But, delu­sions of grandeur are not all bad; they can even lead to . . . grandeur. May in fact be a pre-​requisite.



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