Robert P. Baird
Things have been slow enough at digital emunction of late that I don’t expect it will surprise many of you to hear that I’ve decided to put this here website on permanent hiatus.* My reasons for closing down the site are mostly personal—I finished my Ph.D., am now living in Uganda, and hope to spend more time on other kinds of writing—so I’ll spare you any long-winded hullabaloo about the state of blogging, poetry, etc. But I would like to thank everyone who has read and commented at the site over the years. I’d also and especially like to thank the contributors, who turned the site into the kind of smart, sharp, and occasionally hilarious place I’d have latched onto even if I were entirely alien to its production.
I first expanded DE from a personal billboard to a group blog because there were a number of writers whose work I wanted to be reading more of. I’m happy to report that in this sense the site has outlived its usefulness, since most of those folks have gone on to much bigger and much better things. Joshua Adams and Joel Calahan are, respectively, the incoming and outgoing editors of Chicago Review. Oren Izenberg’s Being Numerous: Poetry and the Ground of Social Life is coming out in February from Princeton University Press. Joshua Baldwin (whose Poems and Fake Book Reviews is still available!) will publish a novella called The Wilshire Sun with Turtle Point Press next fall. Open a magazine that cares anything about good writing and you’ll have a better than even chance of reading something by Ange Mlinko. (For those few times you don’t you can and should keep a copy of her terrific Shoulder Season nearby.) As reported below, Michael Robbins will publish Alien vs. Predator, a book of poems, with Penguin in the spring of 2012. Until then we expect his heroic critical campaign against sentimentality in all its forms will continue to ravage fine publications across the land.
Since I started digital emunction as a personal promotion vehicle almost four years ago, it seems appropriate (and appropriately self-serving) to go out on the pair of Advertisements for Myself that precede this post. In the future you can keep track of my work at robertpbaird.com, and I’ll almost certainly continue running my mouth on Twitter, if that kind of thing is your kind of thing. (If not you can always hit me on email.)
Thanks again to everyone who participated in the site. We’ll see you around…
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* The “permanent” part of that equation means we’re effectively done, as of today, while the “hiatus” means that I have no immediate plans to pull the site offline. Anything up now will almost certainly stay up for another six months, and maybe longer. Still and all, if there are any posts or comments that you’d be especially sad to live without, consider this fair warning that you should start copying and pasting pronto.
Robert P. Baird
This final DE post took a few days longer than I expected, but I couldn’t let myself leave without pimping “The Hidden Torture Cells of Bolivia,” a long article I’ve been working on for well over a year, which has now been pre-released in Narrative’s Backstage section and will be published in the magazine’s Spring 2011 issue.
The article tracks the history and legacy of the Bolivian dictatorships through the story of Marcos Farfán. As a teenager in the 1970s, Farfán joined the National Liberation Army (ELN), a revolutionary organization founded by Che Guevara. Farfán’s precocious militancy got him arrested and tortured by the rightist regime of Hugo Banzer Suárez, about whom I’ve written here before. In 2007 Farfán was appointed a deputy minister in the Government Ministry, and one of the first things he did after claiming his office was to visit the building’s basement, the same basement where he and his mother had been tortured thirty-five years earlier.
It’ll cost you $4 to read the article now, but since Narrative footed my reporting expenses, I’d be thrilled if you paid. Here’s the opening of the piece:
THEY WERE about to let him go. After ten days of torture in a circuit of secret prisons, they were about to let him go. The first night they had taken him to the basement of the Interior Ministry and had beaten him with boards and rifle butts until he couldn’t see, until he could no longer remember what they wanted or why he was there. The second night they had locked him in a cell on the third floor with a tiny window that looked down on the roof of the United Nations building next door. They had jammed needles under his fingernails and shocked his teeth and testicles with a cattle prod. The third night they had taken him to the Department of Political Order and beat him some more, as they would each successive night. Editing was his crime: the ministry’s civilian agents had discovered his handwritten corrections in the margins of a subversive typescript. But ten days of what you might call enhanced interrogation techniques had satisfied the agents that Marcos Farfán was a naive student, a small fish, someone they could safely toss back. After all, they must have figured, how much could he really know? He was only sixteen.
Robert P. Baird

In the spring of 2003, my friend and mentor Annie Dillard invited me to take a six-month job working for her and her husband Bob, better known to the world as the biographer Robert D. Richardson, Jr. The invitation was neither the first, the last, nor the most dramatic instance of Annie’s immense generosity, but it was remarkable nonetheless, and I accepted, as you might imagine, without blinking.
My only problem was that I still lacked a few classes to complete my Master’s degree at the University of Chicago. Fortunately a number of professors at the U. of C. were willing to accommodate my physical absence from the campus, including Bernard McGinn, the eminent historian of Christian mysticism whose two-quarter-long sequence on early modern mysticism I had half-completed. McGinn suggested that a translation might be a good and useful way to complete the course requirements while outside striking distance of an academic library, and so I decided to translate Miguel de Molinos’s Spiritual Guide.
Now, nearly eight years later, that translation—with a historical introduction by me and a theological introduction by McGinn—is being published in Paulist Press’s Classics of Western Spirituality series. The stuff of the Spiritual Guide is pretty far outside the normal ambit of digital emunction, but it’s my first book and the last day of DE, so I’m taking liberties.
You can buy a copy of the book at Amazon and probably several other places besides. If you need more reasons why you should buy one, here’s the first part of my historical introduction:
…Read More…
Joshua Baldwin
The cover of the new Village Voice “Best of NYC 2010” issue is pretty hilarious—the ridiculous image of a yellow cab with monster truck wheels made me laugh. But I really started to laugh, I got pretty happy in fact, when I looked at the buildings in the background. See the pizza joint? That’s Corleone Pizza. I remember the place. It’s in freaking Los Angeles! Downtown, in the jewelry district. I walked passed it the last time I was in town. I guess the question here is why is there a picture of Los Angeles on the cover of the Village Voice’s “Best of NYC 2010” issue? Good one, Voice! I’m outta here!